Music

Tyla Makes Grammy History: Best African Music Performance 2026

Tyla Wins Grammys

South African superstar Tyla has done it again. At the 68th Grammy Awards, held on 1 February 2026 at the Crypto.com Arena in Los Angeles, she took home Best African Music Performance for “Push 2 Start”,  and made history in the process. Tyla is now the first artist to win the category twice since it was created, after her viral smash “Water” claimed the inaugural award.

A back-to-back win nobody saw coming

When the Recording Academy introduced Best African Music Performance, many expected Nigeria’s Afrobeats giants to dominate it for years. Instead, a 24-year-old from Johannesburg has claimed it two years running.

Tyla Wins Grammys

The 2026 field was stacked. Tyla beat out some of the biggest names on the continent, including Davido’s “With You” featuring Omah Lay, Ayra Starr’s “Gimme Dat” featuring Wizkid, and Burna Boy’s “Love”. Any of those records would have been a worthy winner — which is exactly what makes Tyla’s repeat so remarkable.

Why “Push 2 Start” won

“Push 2 Start” is Tyla at her most confident: an amapiano-rooted, reggae-tinged single that glides between South African log-drum bounce, pop polish and R&B smoothness. It’s the sound she has made her signature — unmistakably African, effortlessly global.

That balance is the secret to her success. Tyla doesn’t water down amapiano for international ears; she lets the genre’s swing lead, and the world follows. Her win is as much a victory for South African music as it is a personal one.

The “is Tyla Afrobeats?” debate — again

Every Tyla win reopens one of African music’s favourite arguments. International media often file her under “Afrobeats”, while South Africans point out — correctly — that her sound is built on amapiano, a genre born in the townships of Gauteng, not Lagos.

The debate matters because the label shapes who gets credit. Afrobeats and amapiano are cousins, not twins: Afrobeats grew out of Nigerian and Ghanaian pop traditions, while amapiano emerged from South African house music, defined by its rolling basslines and log drums. Tyla’s global rise has forced the industry to learn the difference — and that education is a win for the whole continent.

What it means for African music

Tyla’s back-to-back Grammys tell us three things:

  • The category is competitive, not ceremonial. African music’s Grammy presence is now a genuine annual battle between the continent’s biggest stars.
  • Amapiano has fully arrived. What was once a regional sound now headlines global festivals, playlists and award shows.
  • The next generation is female. Between Tyla, Tems and Ayra Starr, the most exciting lane in African pop right now belongs to its women.

For Nigerian fans, the sting of another near-miss is real — Burna Boy, Wizkid, Davido and Ayra Starr have all now been beaten to the trophy by the Joburg star. But rivalry is fuel. If anything, Tyla’s dominance raises the bar for everyone, and the 2027 race already feels wide open.

The bigger picture

A decade ago, African artists celebrated being nominated in “world music” categories. Today they headline their own Grammy category, sell out arenas from London to New York, and argue about which African genre deserves the credit. That shift — from the margins to the main stage — is the real story behind Tyla’s win.

Two categories, two years, one Tyla. The world is officially dancing to Africa’s beat.

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